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A Private Passion 19th-century Paintings and Drawings from - download pdf or read online

By Stephan Wolohojian, Anna Tahinci

Grenville L. Winthrop (1864-1943) was once a attorney and banker by means of career, yet his actual ardour used to be accumulating artwork. He had the assets, the instinct and gifted advisers to aid him create a set that's certain not just in its intensity and breadth, but additionally in its caliber. The Winthrop choice of French, British and American artwork contains the simplest workforce of Delacroix and Ingres drawings outdoor of France, the main major workforce of pre-Raphaelite work open air of england, and a world-renowned choice of Sargent watercolours. a few 70 work and two times as many drawings and watercolours by means of greater than 50 French, British and American artists are featured during this choice from the Winthrop assortment, bequeathed in 1943 to the Fogg paintings Museum at Harvard college. Masterpieces by means of David, Ingres, Gericault, Chasseriau and Moreau could be obvious along nice works via Blake, Rossetti and Burne-Jones, in addition to Homer, Sargent and Whistler. they're mentioned within the catalogue by means of greater than 60 authors, all of whom are experts of their a variety of fields.

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Extra resources for A Private Passion 19th-century Paintings and Drawings from the Grenville L.Winthrop Collection, Harvard University

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No. into a quirkv compound. Over the vears Winthrop. who tember took 1 o (Sep- >9M)- P s. numer- 62. " added an oriental garden, a small "museum" of ous natural historv. institutions. Winthrop and an aquarium, which a surviving photograph shows looking disconcertinglv shown like at the Homer's Mink Pond (cat. Sl (fig. 16). an artist no. 202). a gem he would add to his collection in later vears in a Emily Miles's sculpture was memorial exhibition Southern Vermont Art Center. Manchester, in She was also a poet and a Winthrop also built a sculpture studio for his elder daughter, Emilv.

In offer to relieve people of their inheritance with a replica was seen as a 69. Birnbaum 12, 1931, favor, as in the case of Rossetti's celebrated Blessed Damoiel (cat. no. 188), which had 70. to Winthrop, June HI' AM Archives. Birnbaum i960, p. 189. 71. , p. 209. "' ^2. Birnbaum, March u. One of Birnbaum's most successful ways of obtaining works was to reassure reluctant letter to Ricketts, Birnbaum 1929, Papers. Archives of American Art. heirs and collectors that their treasures would not be sold again but instead given to a 73.

1905, in onlv one Winthrop made only three After Bullard 's death Winthrop never crossed the Atlantic again. Winthrop's association with Bullard in impression. the pleasures on several European his of the Liber, on. which was known closer attention. I' 1 Finbe- Cotswold Gallery, London, only and the intimacy they shared, particularly Turner mid- 1930s. Alexander 1936, the which he in Cambridge. Mas&, 1969, Bullard to Norton asking tor his Durer's Knight, Death and the abroad. Bullard left for Germany, where he studied philosophy, and when his frail purchased (March constitution finally Italy to recuperate.

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A Private Passion 19th-century Paintings and Drawings from the Grenville L.Winthrop Collection, Harvard University by Stephan Wolohojian, Anna Tahinci


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